"Elektra, Op. 58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt"" by Richard Strauss, Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm was released on January 1, 1961. With this song being about 5 minutes long, at 4:31, "Elektra, Op. 58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt"" by Richard Strauss, Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Strauss: Elektra". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. The popularity of Elektra, Op. 58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elektra, Op. 58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt" by Richard Strauss, Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
Souvenir d'un lieu cher, Op.42: 2. Scherzo | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | C Minor | 2 | 5A | 97 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A Major | 6 | 11B | 68 BPM |
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