Symphony No. 1 in C Major, WD 33: I. Allegro vivo
Georges Bizet, Cincinnati Symphony Orchestra, Jesús López-Cobos
Bizet: Carmen Suite, Symphony No. 1 in C Major & L’arlésienne Suite No. 1
9:59 April 1, 1990
BPM
82
Key
F Major
Camelot
7B

Embed

Share Link

Symphony No. 1 in C Major, WD 33: I. Allegro vivo - Georges Bizet, Cincinnati Symphony Orchestra, Jesús López-Cobos Information

Acousticness
97%
Danceability
18%
Energy
7%
Instrumentalness
82%
Liveness
78%
Loudness
72%
Speechiness
5%
Valence
4%
Popularity
Loudness
-17.036 dB

Summary

"Symphony No. 1 in C Major, WD 33: I. Allegro vivo" by Georges Bizet, Cincinnati Symphony Orchestra, Jesús López-Cobos was released on April 1, 1990. Since Symphony No. 1 in C Major, WD 33: I. Allegro vivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 14 in Bizet: Carmen Suite, Symphony No. 1 in C Major & L’arlésienne Suite No. 1 by Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 1 in C Major, WD 33: I. Allegro vivo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 1 in C Major, WD 33: I. Allegro vivo BPM

The tempo marking of Symphony No. 1 in C Major, WD 33: I. Allegro vivo by Georges Bizet, Cincinnati Symphony Orchestra, Jesús López-Cobos is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Symphony No. 1 in C Major, WD 33: I. Allegro vivo Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) by Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo YamadaL'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra)Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo YamadaE♭ Major15B84 BPM
The Magic Flute, K. 620: Overture by Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud WinsauerThe Magic Flute, K. 620: OvertureWolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud WinsauerE♭ Major15B90 BPM
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 by Johannes Brahms, Budapest Festival Orchestra, Iván FischerHungarian Dance No. 5 in G Minor, WoO 1, No. 5Johannes Brahms, Budapest Festival Orchestra, Iván FischerF♯ Minor111A107 BPM
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): II. Intermezzo by Ernest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony BramallL'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): II. IntermezzoErnest Guiraud, Georges Bizet, Slovak Philharmonic, Anthony BramallE♭ Major05B140 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): V. La garde montanteGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Cavalleria rusticana: Preludio by Pietro Mascagni, National Philharmonic Orchestra, Gianandrea GavazzeniCavalleria rusticana: PreludioPietro Mascagni, National Philharmonic Orchestra, Gianandrea GavazzeniF Major27B88 BPM
Capriol Suite: 1. Basse-danse by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 1. Basse-dansePeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerD Minor27A133 BPM
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekSpanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitosoNikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekB♭ Major26B133 BPM
Te Deum: Tu rex gloriae, Christe by Georges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude CasadesusTe Deum: Tu rex gloriae, ChristeGeorges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude CasadesusF Major17B81 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: I. The Sea and Sinbad's ShipNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoE Major112B136 BPM
ISRC
USTE10311224
Label
L-M Records/RCA Records

Section: 0.7302548885345459

End: 0.7352144718170166