Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider made "Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria II: Allegro" available on January 1, 2003. With Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria II: Allegro being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #12. In terms of popularity, Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria II: Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria II: Allegro by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin | D♭ Major | 3 | 3B | 100 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Abdelazar Suite, Z. 570: V. Minuet | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Concerto For Violin Concertato, Strings And Basso Continuo In A Minor, TWV 51:A1: Allegro | Georg Philipp Telemann, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Minor | 1 | 8A | 144 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM |
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