"Sonata a 6 in G Major, G. 17" by David Pohle, Clematis, Brice Sailly, Stéphanie de Failly was released on April 26, 2024. With this song being about 5 minutes long, at 4:56, "Sonata a 6 in G Major, G. 17" by David Pohle, Clematis, Brice Sailly, Stéphanie de Failly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 31 in David Pohle: Complete Sonatas & Ballet Music by David Pohle, Clematis, Stéphanie de Failly, Brice Sailly. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Sonata a 6 in G Major, G. 17's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata a 6 in G Major, G. 17 by David Pohle, Clematis, Brice Sailly, Stéphanie de Failly is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ludi musici I: 16. Alamande a 4, SSWV 54 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | B Major | 2 | 1B | 92 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Polonaise in G Minor, BWV Anh. 125 | Carl Philipp Emanuel Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
Bassoon Concerto in G Major, RV 494: II. Largo | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Trio Sonata in G Major, G01: I. Andante | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM |
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