- BPM
- 87
- Key
- F Major
- Camelot
- 7B
Peter and the Wolf, Op. 67: Grandfather - David Bowie, Eugene Ormandy Information
- Acousticness
- 86%
- Danceability
- 52%
- Energy
- 8%
- Instrumentalness
- 1%
- Liveness
- 68%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 26%
- Popularity
- 9%
- Loudness
- -19.688 dB
Summary
David Bowie, Eugene Ormandy's 'Peter and the Wolf, Op. 67: Grandfather' came out on 1988. The duration of Peter and the Wolf, Op. 67: Grandfather is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Peter and the Wolf, Op. 67: Grandfather's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 41 in David Bowie Narrates Peter And The Wolf by David Bowie. Peter and the Wolf, Op. 67: Grandfather is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Peter and the Wolf, Op. 67: Grandfather BPM
The tempo marking of Peter and the Wolf, Op. 67: Grandfather by David Bowie, Eugene Ormandy is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Peter and the Wolf, Op. 67: Grandfather Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 70 BPM | |
 | Clowns and Kids Suite (arr. F. Strobel): III. Acrobats | Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra | D Minor | 3 | 7A | 98 BPM | |
 | Die Walküre, WWV 86B / Erster Akt: "Wes Herd dies auch sei, hier muss ich rasten" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM | |
 | Pierrot Lunaire, Op. 21 / Part 1: VI. Madonna | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | C Major | 0 | 8B | 84 BPM | |
 | Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Overture | The Cast Of Mary Poppins | C Major | 3 | 8B | 179 BPM | |
 | Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 23b, Pas de quatre. Variation I "The Gold Fairy" | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 105 BPM | |
 | Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | |
| Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6555345058441162
End: 0.6603043079376221