Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio - Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti Information

Acousticness: 98%
Danceability: 28%
Energy: 22%
Instrumentalness: 1%
Liveness: 5%
Loudness: 77%
Speechiness: 4%
Valence: 35%
Popularity: 19%
Loudness: -13.584 dB

Summary

Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti's 'Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio' came out on October 28, 2013. The duration of Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Pergolesi: Stabat Mater, Laudate pueri & Confitebor". In this album, this song's track order is #19. In terms of popularity, Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio BPM

With Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Pergolesi: Laudate pueri Dominum: VII. Sicut erat in principio Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

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Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Deh placatevi con me" (Orfeo, Chorus)	Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti	E Major	1	12B	77 BPM
I Trionfi del fato": "Combatton quest'alma"	Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti	E♭ Major	3	5B	132 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi ... Ch'io taccia!" (Orfeo, Euridice)	Christoph Willibald Gluck, Philippe Jaroussky, Amanda Forsythe, Diego Fasolis, I Barocchisti	E♭ Minor	1	2A	132 BPM
Membra Jesu nostri, BuxWV 75: IVe. Ad latus: Surge, amica	Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis	F♯ Minor	2	11A	100 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9837648868560791

End: 0.9890210628509521