Johann Sebastian Bach, Christine Schäfer, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Marie-Luise Modersohn, Eva Maria Buttkewitz, Rosario Conte, Kristin von der Goltz, Naoki Kitaya made "Cantata, BWV 197 "Gott ist unsere Zuversicht": Aria "Vergnügen und Lust" (Soprano)" available on January 1, 2009. The duration of Cantata, BWV 197 "Gott ist unsere Zuversicht": Aria "Vergnügen und Lust" (Soprano) is about 3 minutes long, at 3:07. Based on our data, "Cantata, BWV 197 "Gott ist unsere Zuversicht": Aria "Vergnügen und Lust" (Soprano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 13 in Bach - Violin and Voice by Johann Sebastian Bach, Hilary Hahn, Matthias Goerne, Christine Schäfer, Munich Chamber Orchestra, Alexander Liebreich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cantata, BWV 197 "Gott ist unsere Zuversicht": Aria "Vergnügen und Lust" (Soprano) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cantata, BWV 197 "Gott ist unsere Zuversicht": Aria "Vergnügen und Lust" (Soprano) by Johann Sebastian Bach, Christine Schäfer, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Marie-Luise Modersohn, Eva Maria Buttkewitz, Rosario Conte, Kristin von der Goltz, Naoki Kitaya is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B Minor, K 27 | Domenico Scarlatti, Murray Perahia | D Major | 1 | 10B | 117 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM |
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