André Jolivet, Mstislav Rostropovich, Robert Quatrocchi, Jean Emanuelle, Micheline Lemoine, Gilbert Zanlonghi, Edmond Primetemps, Orchestre National de l'O.R.T.F. made "Jolivet: Cello Concerto No. 2: III. Animé" available on 1969. The duration of Jolivet: Cello Concerto No. 2: III. Animé is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Jolivet: Cello Concerto No. 2: III. Animé's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 12 in Dutilleux: Tout un monde lointain - Lutoslawski: Cello Concerto - Jolivet: Cello Concerto No. 2 by Mstislav Rostropovich. In terms of popularity, Jolivet: Cello Concerto No. 2: III. Animé is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Jolivet: Cello Concerto No. 2: III. Animé by André Jolivet, Mstislav Rostropovich, Robert Quatrocchi, Jean Emanuelle, Micheline Lemoine, Gilbert Zanlonghi, Edmond Primetemps, Orchestre National de l'O.R.T.F. is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Para chelo | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 84 BPM | ||
Preludio | Giuseppe Bruni, Fortibus Ensemble | B♭ Major | 0 | 6B | 168 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
Flute Concerto: I. Andante cantabile | André Jolivet, Benoît Fromanger, Munich Chamber Orchestra, Christoph Poppen | F♯ Minor | 1 | 11A | 134 BPM | ||
5 Pieces for String Quartet: No. 3, Alla czeca | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Gavotte, Op. 67, No. 2 | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | F Major | 1 | 7B | 76 BPM | ||
Arnold: Fantasy for trombone II | Malcolm Arnold, Joseph Alessi | C Major | 0 | 8B | 69 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Andante tranquillo | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM |
Section: 0.9982986450195312
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