"Scheherazade, Op. 35: No. 2, La historia del príncipe Kalendar. Lento - Andantino - Allegro molto - Con moto" by Orquesta Sinfónica De Radio Ljubljana, Anton Nanut was released on February 18, 1977. Scheherazade, Op. 35: No. 2, La historia del príncipe Kalendar. Lento - Andantino - Allegro molto - Con moto appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Rimsky-Korsakov: Scheherazade, Op. 35". In this album, this song's track order is #2. Based on our statistics, Scheherazade, Op. 35: No. 2, La historia del príncipe Kalendar. Lento - Andantino - Allegro molto - Con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: No. 2, La historia del príncipe Kalendar. Lento - Andantino - Allegro molto - Con moto by Orquesta Sinfónica De Radio Ljubljana, Anton Nanut having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music Suite No. 2 in D Major, HV 349: II. Alla Hornpipe | George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal | A♭ Major | 1 | 4B | 128 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Maxim Vengerov, Ian Brown | D♭ Major | 1 | 3B | 86 BPM | ||
Violin Concerto, No. 1 in G-Minor, op. 26: II. Adagio | Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova | E♭ Major | 1 | 5B | 95 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Walter Hendl | B♭ Major | 2 | 6B | 101 BPM | ||
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Schubert: Ave Maria, D. 839, "Ellens Gesang III" (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Franz Schubert, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | C Major | 1 | 8B | 127 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 3 | 9B | 143 BPM | ||
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "La primavera": III. Danza pastorale. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi | E♭ Major | 1 | 5B | 93 BPM | ||
Walzer, Nr. 14, E-Moll, op. posth. | Peter Schmalfuss | E Major | 1 | 12B | 88 BPM |
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