Peter Schmalfuss's 'Walzer, Nr. 14, E-Moll, op. posth.' came out on January 1, 1993. The duration of Walzer, Nr. 14, E-Moll, op. posth. is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Walzer, Nr. 14, E-Moll, op. posth.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Frédéric Chopin: Walzer by Peter Schmalfuss, Ida Cernecka. Walzer, Nr. 14, E-Moll, op. posth. is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Walzer, Nr. 14, E-Moll, op. posth. by Peter Schmalfuss is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No.40 F Minor Op.63-2 | Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann | F Minor | 1 | 4A | 72 BPM | ||
Sonata For Clarinet And Piano, E-Flat Major: IV. Allegro moderato | Elisabeth Ganter, Peter Schmalfuss | E♭ Major | 1 | 5B | 131 BPM | ||
Liebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - Live | Franz Liszt, Lang Lang | A♭ Major | 1 | 4B | 123 BPM | ||
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Rachmaninov: Morceaux de fantaisie, Op. 3: No. 2, Prelude in C-Sharp Minor "The Bells of Moscow" | Sergei Rachmaninoff, Alexis Weissenberg | B Major | 1 | 1B | 94 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | B♭ Minor | 2 | 3A | 82 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | A♭ Minor | 1 | 1A | 84 BPM | ||
The Seasons, Op. 37a, TH 135: 6. June: Barcarolle | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy | G Minor | 0 | 6A | 70 BPM | ||
Liebesträume (Dreams of Love) solo piano works (S.541/R.211) No. 3 (feat. Sarah Ainsworth) | The Royal Festival Orchestra, Sarah Ainsworth | C Major | 0 | 8B | 139 BPM | ||
The Girl with the Flaxen Hair | Dubravka Tomšič | F♯ Major | 0 | 2B | 73 BPM |
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