"Sinfonia concertante in B-Flat Major, Hob. I:105: I. Allegro" by Joseph Haydn, Georges Alès, Andre Remond, Emile Mayousse, Raymond Droulez, Orchestre Lamoureux, Igor Markevitch was released on September 17, 2021. Since Sinfonia concertante in B-Flat Major, Hob. I:105: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maurice Allard, Georges Alès, Aurèle Nicolet, Orchestre Lamoureux, Berliner Philharmoniker, Igor Markevitch's "Mozart: Bassoon Concerto, K. 191; Haydn: Sinfonia concertante; Cimarosa: Concerto for two flutes; Schubert: Symphony No. 3 (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 3)" album is number 4 out of 13. On top of that, Germany appears to be the country where this track was created. Sinfonia concertante in B-Flat Major, Hob. I:105: I. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia concertante in B-Flat Major, Hob. I:105: I. Allegro by Joseph Haydn, Georges Alès, Andre Remond, Emile Mayousse, Raymond Droulez, Orchestre Lamoureux, Igor Markevitch to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": III. Minuet - Trio | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | B♭ Major | 1 | 6B | 182 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Der Fischer und das Milchmädchen: V. Corps de ballet | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
String Quartet No.5 in E Flat Major, Hob.II:6 (Op.1 No.0): 1. Presto | Franz Joseph Haydn, The Angeles String Quartet | B♭ Major | 1 | 6B | 114 BPM | ||
Mass No. 5 in E-Flat Major, Hob. XXII:4, "Missa in honorem BVM", "Missa Sancti Josephi", "Grosse Orgelsolomesse": Agnus Dei | Joseph Haydn, Ann Hoyt, Luthien Brackett, Stephen Sands, Richard Lippold, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 90 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
String Quintet in D Minor: III. Adagietto | Ján Levoslav Bella, Frantisek Magyar, Moyzesovo kvarteto | F Minor | 1 | 4A | 127 BPM |
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