"Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4" by New Philharmonia Orchestra, New Philharmonia Chorus, Wilhelm Pitz was released on June 4, 2007. The duration of Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4 is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 100 in Best Beethoven 100 by Various Artists. Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sechs Lieder Op. 48 (1994 Digital Remaster): Die Ehre Gottes aus der Natur (Die Himmel rühmen) Op.48 No.4 by New Philharmonia Orchestra, New Philharmonia Chorus, Wilhelm Pitz is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Norma / Act 1: Sediziose voci, voci di guerra | Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine | D♭ Major | 2 | 3B | 179 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | D Major | 4 | 10B | 144 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Swan Lake, Op. 20, TH.12 / Act 1: No. 5 Pas de deux: a) Intrada-Valse - b) Andante - c) Valse - d) Coda (Allegro molto vivace) | Pyotr Ilyich Tchaikovsky, New Philharmonia Orchestra, Leopold Stokowski | D Major | 2 | 10B | 90 BPM | ||
Mahler: Rückert-Lieder: No. 3, Blicke mir nicht in die Lieder | Gustav Mahler, Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | ||
El Salón México | Aaron Copland, New Philharmonia Orchestra | G Major | 1 | 9B | 149 BPM | ||
Symphonie fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, New Philharmonia Orchestra, Leopold Stokowski | C Major | 3 | 8B | 123 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM |
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