Pyotr Ilyich Tchaikovsky, Valentina Lisitsa, Alexei Kuznetsoff's '50 Russian Folk Songs, TH 176: 16. Do Not Sing, O Nightingale' came out on March 15, 2019. With 50 Russian Folk Songs, TH 176: 16. Do Not Sing, O Nightingale being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 224 in the song's album "Tchaikovsky: The Complete Solo Piano Works". In this album, this song's track order is #150. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 50 Russian Folk Songs, TH 176: 16. Do Not Sing, O Nightingale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 50 Russian Folk Songs, TH 176: 16. Do Not Sing, O Nightingale by Pyotr Ilyich Tchaikovsky, Valentina Lisitsa, Alexei Kuznetsoff having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40 (Version for Piano): I. Praeludium. Allegro vivace | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Lieder ohne Worte, Op. 67: No. 6 Allegro non troppo in E Major "Cradle Song", MWV U188 | Felix Mendelssohn, Christoph Eschenbach | E Major | 0 | 12B | 91 BPM | ||
Violin Sonata No. 2: Bourree in B Minor (Transcription by Saint-Saens) - Duo-Art 67719 | Johann Sebastian Bach, Camille Saint-Saëns, Rudolph Reuter, Peter Phillips | E Major | 0 | 12B | 92 BPM | ||
Visions fugitives, Op. 22: IX. Allegretto tranquillo | Sergei Prokofiev, Steven Osborne | F♯ Minor | 0 | 11A | 66 BPM | ||
Sonatina in C Major, Op. 36 No. 3: III. Allegro | Muzio Clementi, Howard Shelley | G Major | 1 | 9B | 76 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 4, Les cloches | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Notturno in G Minor, H-U 337 | Fanny Mendelssohn, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 4 in E Minor, Allegro commodo | Bedřich Smetana, Jitka Čechová | E Minor | 1 | 9A | 141 BPM | ||
Prélude, Choral et Fugue, FWV 21: Fugue. Tempo I° | César Franck, Nikolai Lugansky | D Major | 1 | 10B | 68 BPM | ||
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VI. Vivace | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | B♭ Major | 3 | 6B | 95 BPM |
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