Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani made "Sinfonia G-dur (1749): I. Allegro" available on 2000. The duration of Sinfonia G-dur (1749): I. Allegro is about 3 minutes long, at 3:21. Based on our data, "Sinfonia G-dur (1749): I. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Capella Agostino Steffani's "Monn: Sinfonie & Concerti" album is number 17 out of 19. Based on our statistics, Sinfonia G-dur (1749): I. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sinfonia G-dur (1749): I. Allegro by Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: III. Allegro non tanto | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 2 | 10B | 121 BPM | ||
Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo | Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 134 BPM | ||
Cello Concerto in G Minor: III. Allegro non tanto | Arnold Schoenberg, Georg Matthias Monn, Mark Drobinsky, Dimitri Liss, Orchestre d'Ekaterinbourg | G Minor | 2 | 6A | 127 BPM | ||
Maria, starke Sonnen | Georg Matthias Monn, James Bowman | F Major | 0 | 7B | 87 BPM | ||
Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
Symphony in B-Flat Major: I. Allegro | Georg Matthias Monn, L'arpa Festante, Michi Gaigg | A Major | 1 | 11B | 131 BPM | ||
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Violin Concerto in F Minor, BeRI 52: I. Allegro energico | Johan Helmich Roman, Terje Tonnesen, Camerata Nordica | B♭ Major | 2 | 6B | 113 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM |
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