"Susannah / Act I: Ain't it a pretty night? - Live" by Carlisle Floyd, Renée Fleming, The Metropolitan Opera, James Conlon was released on January 13, 2023. Susannah / Act I: Ain't it a pretty night? - Live is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 16 out of 32. On top of that, United States appears to be the country where this track was created. Susannah / Act I: Ain't it a pretty night? - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Susannah / Act I: Ain't it a pretty night? - Live by Carlisle Floyd, Renée Fleming, The Metropolitan Opera, James Conlon to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Susannah, Act One: Opening Music | Carlisle Floyd, Cheryl Studer, Kent Nagano, Orchestre De L'Opéra National De Lyon | E♭ Minor | 2 | 2A | 88 BPM | ||
Adams: Nixon in China: Act I, Scene 3 - Mr. Premier, Distinguished Guests | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 2 | 8A | 101 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau | A♭ Major | 0 | 4B | 66 BPM | ||
Verdi : Messa da Requiem : V Liber scriptus | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 1 | 9B | 78 BPM | ||
Delibes: Lakmé: Prelude (Maestoso) | Léo Delibes, Orchestre du Théâtre National de I'Opéra-Comique/Alain Lombard, Alain Lombard, Orchestre Du Theatre National De L'opera-comique | D♭ Major | 2 | 3B | 138 BPM | ||
Rusalka, Op. 114 / Act 3: Mám, zlaté vlásky mám | Antonín Dvořák, Dana Buresova, Livia Aghova, Hana Minutillo, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Stabat Mater, FP 148: 8. Fac ut ardeat | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Major | 1 | 3B | 160 BPM |
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