Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein's 'Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Agnus Dei' came out on January 1, 1996. Since Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Agnus Dei is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Agnus Dei by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Beethoven: Mass in C Major, Op. 86: VI. Agnus Dei (Poco Andante - Allegro ma non troppo) | Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Frank Peter Zimmermann, Wolfgang Sawallisch, Berliner Philharmoniker | D Major | 1 | 10B | 147 BPM | ||
Mass in C Major, Op. 86: VI. Agnus Dei | Ludwig van Beethoven, Sir Colin Davis, Sara Mingardo, London Symphony Orchestra, Sally Matthews, London Symphony Chorus, Alastair Miles, John Mark Ainsley | C Major | 1 | 8B | 78 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 97 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
Myrthen, Op. 25: No. 3. Der Nussbaum | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 65 BPM | ||
Pictures at an Exhibition: Promenade | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Maximilian Schmitt | D♭ Major | 2 | 3B | 121 BPM |
Section: 0.6313610076904297
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