"Puis Jésus prend le pain qui est là sur la table" by Clotilde Mollet was released on February 5, 2015. With Puis Jésus prend le pain qui est là sur la table being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Une passion: "Et ils me cloueront sur le bois"". In this album, this song's track order is #15. Based on our statistics, Puis Jésus prend le pain qui est là sur la table's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puis Jésus prend le pain qui est là sur la table by Clotilde Mollet having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reis glorios | Giraut de Bornelh, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | B♭ Minor | 0 | 3A | 112 BPM | ||
Purcell / Arr Pluhar: Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), Z. 342/3: "A prince of glorious race descended" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | G Minor | 1 | 6A | 102 BPM | ||
Gökyüzünde Tüten Olsam | Selva Erdener | E Minor | 2 | 9A | 80 BPM | ||
Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 89 BPM | ||
Folle è ben che si crede | Tarquinio Merula, Simone Kermes, Enrico Casazza, La Magnifica Comunità | C Major | 0 | 8B | 93 BPM | ||
Folk Songs: No. 2, I Wonder as I Wander | Luciano Berio, Elina Garanca, Berlin Music Ensemble | A♭ Major | 0 | 4B | 81 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
La fida ninfa, RV 714 / Act 3: Dite oimè | Antonio Vivaldi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Minor | 0 | 6A | 107 BPM | ||
Il est bel et bon | Pierre Passereau, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Amor dormiglione | Barbara Strozzi, Constantinople, Suzie LeBlanc | A Major | 3 | 11B | 106 BPM |
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