"Magnificat and Nunc dimittis ‘Collegium Regale’: Magnificat" by John Tavener, Wells Cathedral Choir, Matthew Owens was released on August 5, 2016. Since Magnificat and Nunc dimittis ‘Collegium Regale’: Magnificat is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Tavener, Wells Cathedral Choir, Matthew Owens's "John Tavener: Missa Wellensis" album is number 9 out of 15. In terms of popularity, Magnificat and Nunc dimittis ‘Collegium Regale’: Magnificat is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat and Nunc dimittis ‘Collegium Regale’: Magnificat by John Tavener, Wells Cathedral Choir, Matthew Owens to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere, Op.44: 8. Domine Deus noster - Lento. Affenttuoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 133 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Now Sleeps The Crimson Petal | Paul Mealor, Tenebrae, Nigel Short | F♯ Major | 0 | 2B | 83 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM | ||
Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
O frondens virga | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Marília Vargas | E♭ Minor | 0 | 2A | 77 BPM | ||
The Sacred Veil: XII. Child of Wonder | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | C Minor | 0 | 5A | 66 BPM |
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