- BPM
- 86
- Key
- C Minor
- Camelot
- 5A
Then We Are Decided - From "Jesus Christ Superstar" Soundtrack - Bob Bingham, Kurt Yaghjian Information
- Acousticness
- 73%
- Danceability
- 52%
- Energy
- 71%
- Instrumentalness
- 1%
- Liveness
- 7%
- Loudness
- 80%
- Speechiness
- 59%
- Valence
- 17%
- Popularity
- 34%
- Loudness
- -11.774 dB
Summary
"Then We Are Decided - From "Jesus Christ Superstar" Soundtrack" by Bob Bingham, Kurt Yaghjian was released on January 1, 1973. The duration of Then We Are Decided - From "Jesus Christ Superstar" Soundtrack is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Then We Are Decided - From "Jesus Christ Superstar" Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Jesus Christ Superstar (Original Motion Picture Soundtrack)" album is number 5 out of 26. Then We Are Decided - From "Jesus Christ Superstar" Soundtrack is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Then We Are Decided - From "Jesus Christ Superstar" Soundtrack BPM
We consider the tempo marking of Then We Are Decided - From "Jesus Christ Superstar" Soundtrack by Bob Bingham, Kurt Yaghjian to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Then We Are Decided - From "Jesus Christ Superstar" Soundtrack Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Once You Lose Your Heart (Reprise) - Original Cast Recording/1986 | Original Broadway Cast: Me And My Girl | D♭ Major | 1 | 3B | 127 BPM | |
 | The Crime of the Century | Lynnette Perry, Steven Sutcliffe, Conrad McLaren, Mike O'Carroll, Ragtime Ensemble | E♭ Major | 5 | 5B | 142 BPM | |
 | To Each His Dulcinea (To Every Man His Dream) | Mark Jacoby, Stephen Bogardus | F Major | 1 | 7B | 146 BPM | |
 | Lovely Ladies - Live | Les Misérables - 10th Anniversary Cast | F Major | 2 | 7B | 160 BPM | |
 | West Side Story: Act II: One Hand, One Heart | Leonard Bernstein, Johnny Green, Jim Bryant, Marni Nixon, West Side Story Orchestra | F♯ Major | 1 | 2B | 90 BPM | |
 | Camelot: Fie on Goodness | Frederick Loewe, The Camelot Ensemble, Franz Allers | E♭ Major | 4 | 5B | 78 BPM | |
 | Simple Joys - Pippin/1972 Original Broadway Cast Recording | Stephen Schwartz, Ben Vereen | B Minor | 8 | 10A | 89 BPM | |
 | Thank God I'm Old | Terri White | E♭ Major | 7 | 5B | 179 BPM | |
| West Side Story: Finale | Leonard Bernstein, Johnny Green, West Side Story Orchestra, Marni Nixon | B Major | 1 | 1B | 78 BPM | |
 | Working On The Land | Martin Turner, Matt Rawle, Rebecca Lock, Susan Jane Tanner, Jerôme Pradon, The 'Martin Guerre' Company, Marcus Cunningham | B Major | 3 | 1B | 117 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5453033447265625
End: 0.5492522716522217