"West Side Story: Act II: One Hand, One Heart" by Leonard Bernstein, Johnny Green, Jim Bryant, Marni Nixon, West Side Story Orchestra was released on 1961. The duration of West Side Story: Act II: One Hand, One Heart is about 3 minutes long, at 3:02. Based on our data, "West Side Story: Act II: One Hand, One Heart" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of West Side Story (Original Motion Picture Soundtrack) by Leonard Bernstein. The song's track number on the album is #12 out of 19 tracks. In terms of popularity, West Side Story: Act II: One Hand, One Heart is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since West Side Story: Act II: One Hand, One Heart by Leonard Bernstein, Johnny Green, Jim Bryant, Marni Nixon, West Side Story Orchestra has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With West Side Story: Act II: One Hand, One Heart being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Meadowlark (The Baker's Wife) | Liz Callaway | E Major | 6 | 12B | 129 BPM | ||
Lady's Maid | Maury Yeston, Jennifer Piech, Theresa McCarthy, Erin Hill, Michael Mulheren, Henry Stram, Joseph Kolinski, Matthew Bennett, Larry Keith, William Youmans, Lisa Datz, Titanic Ensemble, Kevin Stites | G Major | 2 | 9B | 85 BPM | ||
1776: Sit Down, John | Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard | A♭ Major | 4 | 4B | 98 BPM | ||
Overture / Preludium (Dixit Dominus) - Medley | Annalee, Portia Nelson, Marni Nixon, Evadne Baker | E♭ Major | 2 | 5B | 89 BPM | ||
There's No Business Like Show Business | Irving Berlin, Marty May, William O'Neal, Ray Middleton, Ethel Merman | C Major | 3 | 8B | 173 BPM | ||
When You Got It, Flaunt It | Cady Huffman, Nathan Lane, Matthew Broderick | D♭ Major | 3 | 3B | 113 BPM | ||
Love I Hear | Brian Davies | G Major | 1 | 9B | 171 BPM | ||
Camelot: I Wonder What the King Is Doing Tonight | Frederick Loewe, Richard Burton, Franz Allers | E♭ Major | 3 | 5B | 133 BPM | ||
Building The Barricade | Aaron Tveit, Eddie Redmayne, Russell Crowe, Students, Les Misérables Cast | B Major | 7 | 1B | 108 BPM | ||
Ol’ Man River | Michel Bell | F♯ Major | 6 | 2B | 136 BPM |
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