Wolfgang Amadeus Mozart, Jens Wollenschläger, Anja Bittner, Gabriele Wunderer, Robert Morvai, Manfred Bittner, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt's 'Missa brevis in B-Flat Major, K. 275: IV. Sanctus' came out on 2006. With Missa brevis in B-Flat Major, K. 275: IV. Sanctus being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt's "Mozart: Sacred Music, Vol. 2" album is number 57 out of 77. On top of that, Netherlands appears to be the country where this track was created. Missa brevis in B-Flat Major, K. 275: IV. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa brevis in B-Flat Major, K. 275: IV. Sanctus by Wolfgang Amadeus Mozart, Jens Wollenschläger, Anja Bittner, Gabriele Wunderer, Robert Morvai, Manfred Bittner, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. Andante | Wolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio Abbado | C Minor | 0 | 5A | 107 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Major | 2 | 8B | 154 BPM | ||
Violin Concerto No. 2 in D Major, K. 211: 2. Andante | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | G Major | 1 | 9B | 96 BPM |
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