Anthony Newly, Richard Tucker, Franz Allers's 'Who Can I Turn To (From "The Roar of the Greasepaint")' came out on 1950. The duration of Who Can I Turn To (From "The Roar of the Greasepaint") is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Who Can I Turn To (From "The Roar of the Greasepaint")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 163 in the song's album "Richard Tucker: The Song and Cantorial Album Collection". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Who Can I Turn To (From "The Roar of the Greasepaint") is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Who Can I Turn To (From "The Roar of the Greasepaint") by Anthony Newly, Richard Tucker, Franz Allers having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Our Homeland | Andrew Morton, Graham McCusker, Kantos Chamber Choir | C Major | 3 | 8B | 58 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Prélude et Chansons des collines | Mathe Altéry | C Major | 4 | 8B | 101 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
The Psalms | Harmonious Chorale Ghana | D♭ Minor | 6 | 12A | 108 BPM | ||
Che Gelida Manina | Luciano Pavarotti | G Major | 2 | 9B | 173 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
スマイル ~「モダン・タイムス」 | ビクター・ヤング楽団 | F Major | 4 | 7B | 79 BPM |
Section: 1.139960527420044
End: 1.145280361175537