Carl Zeller, Vienna Walzer Orchestra, Sandro Cuturello's 'Lipizzaner Kaiserin' came out on July 4, 2019. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Rota - Di Chiara - Strauss -Waldteufel -Zeller - Raymond - Ziehrer - Suppé - Anderson: Vienna Walzer Orchestra, Waltz Forever, vol 9 , Japan 2014-2018". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Bulgaria. In terms of popularity, Lipizzaner Kaiserin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lipizzaner Kaiserin by Carl Zeller, Vienna Walzer Orchestra, Sandro Cuturello having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Blut (operetta): Wiener Blut | Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek | C Major | 2 | 8B | 88 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
In mir klingt ein Lied | Anneliese Rothenberger | E Major | 2 | 12B | 189 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
Exsultate, jubilate, K.165 (158a): I. Exsultate, jubilate | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | E♭ Major | 0 | 5B | 81 BPM | ||
Der Carneval in Paris, Galopp, Op. 100 | Johann Strauss I, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 81 BPM | ||
Kitkat katkat | Axel Tornudd, Stockholms Studentsångare, Einar Ralf | G Major | 3 | 9B | 182 BPM | ||
L'elisir d'amore: "Una furtiva lacrima" | Gaetano Donizetti, Konrad Leitner, Slowakische Philharmonie, Ramón Vargas | B♭ Minor | 4 | 3A | 84 BPM |
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