"Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": III. Rondo. Allegro" by Ludwig van Beethoven, Ingrid Fliter was released on May 2, 2011. With this song being about 5 minutes long, at 4:53, "Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": III. Rondo. Allegro" by Ludwig van Beethoven, Ingrid Fliter is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 9 in Beethoven: Piano Sonatas No. 8 "Pathétique", No. 17 "The Tempest" & No. 23 "Appassionata" by Ludwig van Beethoven, Ingrid Fliter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": III. Rondo. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": III. Rondo. Allegro by Ludwig van Beethoven, Ingrid Fliter is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
12 Variations on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte in F Major, Op. 66 : Variation XII. Allegro | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | F Major | 1 | 7B | 70 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM |
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