Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso - Christoph Willibald Gluck, Münchener Bach-Orchester, Karl Richter Information

Acousticness: 96%
Danceability: 26%
Energy: 5%
Instrumentalness: 79%
Liveness: 12%
Loudness: 67%
Speechiness: 3%
Valence: 4%
Popularity: 0%
Loudness: -19.67 dB

Summary

"Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso" by Christoph Willibald Gluck, Münchener Bach-Orchester, Karl Richter was released on January 1, 1968. With Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter's "Gluck: Orfeo ed Euridice" album is number 15 out of 45. On top of that, Germany appears to be the country where this track was created. Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso BPM

We consider the tempo marking of Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso by Christoph Willibald Gluck, Münchener Bach-Orchester, Karl Richter to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Orfeo ed Euridice, Wq. 30 / Act 2: Ballo. Maestoso Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro	Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia	F Minor	0	4A	75 BPM
Divertimento for Flute, Violin & Cello in G Major, Hob. IV:9: I. Adagio	Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet	D♭ Major	1	3B	128 BPM
Quartet Movement in C Minor, D. 103: Grave - Allegro	Franz Schubert, Melos Quartet	D Minor	1	7A	137 BPM
String Quartet No. 1 in C Major, Op. 49: I. Moderato	Dmitri Shostakovich, Quatuor Danel	G Major	0	9B	89 BPM
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied	Bedřich Smetana, Jitka Čechová	A Major	1	11B	146 BPM
世界名曲:天鵝湖	蔡榮吉, 李淑雲, 吳爾笠	C Major	2	8B	160 BPM
Thétis et Pelée: Ouverture	Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis	E Major	2	12B	134 BPM
Schubert: Symphony No. 4 in C Minor, D. 417: III. Menuetto. Allegro vivace - Trio	Franz Schubert, Nikolaus Harnoncourt, Berliner Philharmoniker	F Major	1	7B	120 BPM
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione	Muzio Clementi, Balazs Szokolay	B♭ Major	1	6B	132 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro	Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	169 BPM

ISRC: DEF056730819
Label: L-M Records/RCA Records

Section: 1.1447203159332275

End: 1.1482024192810059