Johannes Ciconia, Orlando Consort made "Doctorum principem / Melodia suavissima / Vir mitis" available on January 1, 1999. The duration of Doctorum principem / Melodia suavissima / Vir mitis is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Doctorum principem / Melodia suavissima / Vir mitis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Saracen And The Dove". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Doctorum principem / Melodia suavissima / Vir mitis's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Doctorum principem / Melodia suavissima / Vir mitis by Johannes Ciconia, Orlando Consort having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poslán jest od Boha anděl | The Rose Ensemble, Jordan Sramek | E Major | 2 | 12B | 164 BPM | ||
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
La Guamina | Adriano Banchieri, Paul O'Dette, The King's Noyse, David Douglass | A Minor | 0 | 8A | 97 BPM | ||
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
O Padua | Johannes Ciconia, Aeolos, Laude Novella | D Major | 2 | 10B | 100 BPM | ||
Jubilemus salvatori | Adam de Saint Victor, La Maurache, Julien Skowron, Catherine Jousselin, Hervé Lamy, Jean-Louis Paya | B♭ Major | 1 | 6B | 141 BPM | ||
Quoniam Tu Illminans | The Schola Cantorum of St. Peter's in the Loop | C Major | 0 | 8B | 80 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM |
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