"Lucrezia Borgia / Act 1: Non far motto, parti, sgombra" by Gaetano Donizetti, Graeme Ewer, Nicola Zaccaria, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1978. The duration of Lucrezia Borgia / Act 1: Non far motto, parti, sgombra is about 3 minutes long, at 3:03. Based on our data, "Lucrezia Borgia / Act 1: Non far motto, parti, sgombra" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 35 in Donizetti: Lucrezia Borgia by Gaetano Donizetti, Dame Joan Sutherland, Marilyn Horne, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lucrezia Borgia / Act 1: Non far motto, parti, sgombra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucrezia Borgia / Act 1: Non far motto, parti, sgombra by Gaetano Donizetti, Graeme Ewer, Nicola Zaccaria, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Così fan tutte, K.588 / Act 1: "Al fato dan legge" - "La commedia è graziosa" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Karita Mattila, Anne Sofie von Otter, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 105 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" - Live In London / 1996 | Wolfgang Amadeus Mozart, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | C Major | 0 | 8B | 126 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM |
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