"Litanies After the Gospel - Znamenny Chant" by St. Tikhon's Monastery Choir had its release date on September 10, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 33 in the song's album "Orthodox Two Part Music: The Divine Liturgy". In this album, this song's track order is #12. Litanies After the Gospel - Znamenny Chant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Litanies After the Gospel - Znamenny Chant by St. Tikhon's Monastery Choir having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Молитва 9-я, к Ангелу Хранителю - Молитвы утренние | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | B Major | 2 | 1B | 169 BPM | ||
Troparion for the Cross - Znamenny Chant | St. Tikhon's Monastery Choir | F Major | 2 | 7B | 103 BPM | ||
Ύμνος Των Τριών Παίδων | Βυζαντινή Ορχήστρα Αθηνών | A Major | 1 | 11B | 77 BPM | ||
Kathisma for Antiphon XII (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | F♯ Major | 4 | 2B | 88 BPM | ||
Katavasia 8th Tone "Passing Across the Water as It Was Land" - Song 4 | The Serbian Choral Society Jedinstvo 1839 Kotor | F Major | 2 | 7B | 62 BPM | ||
Ectenia Mare / The Great Litany | Byzantion | D Major | 1 | 10B | 56 BPM | ||
Cherubikon | Monastery Choir of St. John of San Francisco | F♯ Major | 1 | 2B | 126 BPM | ||
Znamenny Cherubic Hymn | Cherubika | E♭ Major | 1 | 5B | 63 BPM | ||
"With the Archangel's Voice" | St. Tikhon's Seminary Choir | F♯ Major | 3 | 2B | 62 BPM | ||
Miodrag Govedarica's Body of Christ | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 4 | 12B | 88 BPM |