"Katavasia 8th Tone "Passing Across the Water as It Was Land" - Song 4" by The Serbian Choral Society Jedinstvo 1839 Kotor was released on July 17, 2016. With Katavasia 8th Tone "Passing Across the Water as It Was Land" - Song 4 being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Paraklesis to Most Holy Theotokos". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Poland. Katavasia 8th Tone "Passing Across the Water as It Was Land" - Song 4 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Katavasia 8th Tone "Passing Across the Water as It Was Land" - Song 4 by The Serbian Choral Society Jedinstvo 1839 Kotor having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
保安官が不安感になったら | SuuSuuSuu | G Major | 0 | 9B | 113 BPM | ||
Предворившие Утро | Объединенный хор Свято-Успенской Киево-Печерской Лавры и Киевских Духовных Акадении и Семинарии, иеродиакон Кирилл (Борисевич) | B♭ Major | 2 | 6B | 88 BPM | ||
Τη Υπερμάχω, Ηχ. Πλ. Α΄ | Χορωδία Λυκούργου Αγγελόπουλου | E♭ Major | 1 | 5B | 74 BPM | ||
Tu Esti Lumina | Byzantion | G Minor | 3 | 6A | 72 BPM | ||
Katavasije Pashe, Voskresenija den, glas 1. | Serbian Byzantine Choir "Mojsije Petrović" | A Minor | 3 | 8A | 135 BPM | ||
Ερχόμενος Ο Κύριος | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | F♯ Major | 3 | 2B | 108 BPM | ||
Livre de Job : Lecture. Job 1, 2022 | Choeur grégorien de Paris | E♭ Major | 0 | 5B | 75 BPM | ||
Θεία Μετάληψις | Χορός Βατοπαιδινών Πατέρων | A♭ Major | 1 | 4B | 104 BPM | ||
Τον νυμφώνα σου βλέπω… | Musica Universalis | E♭ Major | 3 | 5B | 64 BPM | ||
The Small Canon of Supplication: Ode VII in Greek | Psaltiki | E♭ Major | 1 | 5B | 117 BPM |
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