"Peter Grimes Op. 33, Scene 2: Peter Grimes! Nobody there? (Rector/Swallow/Ned)" by Benjamin Britten, Stafford Dean, Neil Jenkins, Simon Keenlyside, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden had its release date on 1993. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Peter Grimes Op. 33, Scene 2: Peter Grimes! Nobody there? (Rector/Swallow/Ned) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes Op. 33, Scene 2: Peter Grimes! Nobody there? (Rector/Swallow/Ned) by Benjamin Britten, Stafford Dean, Neil Jenkins, Simon Keenlyside, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
5 Stücke im Volkston, Op. 102: 4. Nicht zu rasch | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 51 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Albert Herring, Op. 39: Act III: Threnody - In the midst of life is death | Benjamin Britten, Josephine Barstow, Susan Gritton, Della Jones, Felicity Palmer, Ann Taylor, Robert Lloyd, Peter Savidge, Gerald Finley, Christopher Gillett, Stuart Kale, Royal Northern Sinfonia, Steuart Bedford | F Major | 0 | 7B | 84 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM |