"Aesop's Fables: No. 5. The Goose and the Swan" by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch was released on May 7, 2013. With this song being about 5 minutes long, at 4:49, "Aesop's Fables: No. 5. The Goose and the Swan" by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 23 out of 23 in Chilcott: Everyone Sang - A Little Jazz Mass by Bob Chilcott, Wellensian Consort, Christopher Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Aesop's Fables: No. 5. The Goose and the Swan is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aesop's Fables: No. 5. The Goose and the Swan by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abendlied | The Concordia Choir | D♭ Major | 1 | 3B | 77 BPM | ||
Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
Precious Lord (Arr. for Choir by Arnold Sevier) | Thomas Dorsey, National Youth Choir Of Great Britain, Lisa Graham | B♭ Major | 1 | 6B | 104 BPM | ||
Jesu, Meine Freude BWV 227: Jesu, Meine Freude - Choral | Calmus Ensemble | D♭ Minor | 1 | 12A | 81 BPM | ||
Missa Pontificalis: Gloria | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Major | 0 | 10B | 86 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM |
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