"Pièces à trois violes de Monsieur Forcroy: II. Courante" by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi was released on September 3, 2014. The duration of Pièces à trois violes de Monsieur Forcroy: II. Courante is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Pièces à trois violes de Monsieur Forcroy: II. Courante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 18 in Forqueray le Diable by Jean-Baptiste Forqueray, Vittorio Ghielmi. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Pièces à trois violes de Monsieur Forcroy: II. Courante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pièces à trois violes de Monsieur Forcroy: II. Courante by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | A Major | 4 | 11B | 76 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata for two Cellos in E Minor: IV. Spiritoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | A♭ Major | 5 | 4B | 130 BPM | ||
Cinquième suite en Do Mineur: I. La Rameau | Jean-Baptiste Forqueray, Justin Taylor | B Minor | 4 | 10A | 91 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: I. Preludio. Largo | Richard Jones, Rachel Podger, Brecon Baroque | B Major | 1 | 1B | 132 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM |
Section: 1.1149592399597168
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