"Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit" by George Crumb, Stephanos Thomopoulos was released on March 16, 2018. The duration of Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 24 in Crumb: Makrokosmos by George Crumb, Stephanos Thomopoulos. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Makrokosmos: No. 16, Gemini. Twin Suns, Doppelgänger aus der Ewigkeit by George Crumb, Stephanos Thomopoulos is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Metamorphoses, Book 1: No. 10, The Blue Rider (Wassily Kandinsky, 1903) | George Crumb, Marcantonio Barone | F♯ Minor | 0 | 11A | 137 BPM | ||
Threni, Lamentations of Jeremiah: VI. De elegia quinta | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Elizabeth Atherton, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt | G Minor | 0 | 6A | 140 BPM | ||
Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Ligeti : Hamburg Concerto : II Signale, Tanz, Choral | György Ligeti, Reinbert de Leeuw | C Major | 0 | 8B | 75 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Lento in due movimenti: I. Adagio | Toru Takemitsu, Kotaro Fukuma | F Minor | 0 | 4A | 137 BPM | ||
Star-Child: "Music of the Spheres" - Live | George Crumb, New York Philharmonic, Pierre Boulez, David Gilbert, James Chambers, Larry Newland | D♭ Major | 0 | 3B | 81 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Ancient Voices of Children: Ib. Dances of the Ancient Earth | George Crumb, Kathryn Dupuy Cooper, David Starobin, Courtney Hershey Bress, John Kinzie, Mark Foster, William Hill, David Colson | B♭ Major | 1 | 6B | 126 BPM |
Section: 0.8300926685333252
End: 0.8352010250091553