"Rubinstein: 2 Melodies, Op. 3: No. 1 in F Major, Moderato assai" by Anton Rubinstein, Stephen Hough was released on June 21, 1993. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "The Piano Album". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rubinstein: 2 Melodies, Op. 3: No. 1 in F Major, Moderato assai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rubinstein: 2 Melodies, Op. 3: No. 1 in F Major, Moderato assai by Anton Rubinstein, Stephen Hough having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Демон: Романс Демона "На воздушном океане" | Anton Rubinstein, Николай Кондратюк, Boris Khaikin, Борис Хайкин, Оркестр Большого театра | D♭ Major | 2 | 3B | 94 BPM | ||
Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 67 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Spohr : Sonata for Cello & Harp in G major Op.115 : II Larghetto | Louis Spohr, Helga & Klaus Storck | E Major | 1 | 12B | 116 BPM | ||
Farewell Waltz | Mikhail Glinka, Inga Fiolia | G Major | 1 | 9B | 74 BPM | ||
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM |
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