Robert Stolz, Jonas Kaufmann, Ádám Fischer's 'Wien wird bei Nacht erst schön' came out on October 11, 2019. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wien by Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker. The song's track number on the album is #1 out of 19 tracks. The popularity of Wien wird bei Nacht erst schön is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wien wird bei Nacht erst schön by Robert Stolz, Jonas Kaufmann, Ádám Fischer has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Wien wird bei Nacht erst schön being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feuerfest, Op. 269 | Joseph Strauss, Robert Stolz | D Major | 6 | 10B | 152 BPM | ||
Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
Dichterliebe, Op.48: 7. Ich grolle nicht | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | C Major | 2 | 8B | 106 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Das Lied einer Nacht: "Heute Nacht oder nie" | Mischa Spoliansky, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | C Major | 2 | 8B | 87 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Wenn ich ein Vöglein wär, Op. 43, No. 1 | Robert Schumann, Barbara Bonney, Angelika Kirchschlager | E Minor | 1 | 9A | 73 BPM | ||
Meine Lippen, die küssen so heiss | Franz Lehár, Anna Netrebko | E Major | 2 | 12B | 83 BPM | ||
Ach, wie so herrlich zu schaun (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer | F Major | 2 | 7B | 137 BPM | ||
Parla più piano | Nino Rota, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra | C Minor | 1 | 5A | 87 BPM |
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