Johann Sebastian Bach, Ann Monoyios, Daniel Taylor, Frederick Urrey, Christòpheren Nomura, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld made "Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Der Herr Jesus hub seine Hande auf (Tenor)" available on January 1, 2002. With Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Der Herr Jesus hub seine Hande auf (Tenor) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 21 in Bach, J.S.: Ascension Oratorio / Jauchzet Gott in Allen Landen / O Ewiges Feuer, O Ursprung Der Liebe by Johann Sebastian Bach, Greg Funfgeld. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Der Herr Jesus hub seine Hande auf (Tenor) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Der Herr Jesus hub seine Hande auf (Tenor) by Johann Sebastian Bach, Ann Monoyios, Daniel Taylor, Frederick Urrey, Christòpheren Nomura, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Bach, JS: Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande | Johann Sebastian Bach, Mstislav Rostropovich | A♭ Major | 1 | 4B | 58 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live | Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd | A Minor | 3 | 8A | 111 BPM |
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