Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera made "Domine Missa Quam pulchri sunt (solo vihuela)" available on June 22, 2010. With Domine Missa Quam pulchri sunt (solo vihuela) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Et Jesum, Motets for solo voice by Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego. The song's track number on the album is #4 out of 23 tracks. In terms of popularity, Domine Missa Quam pulchri sunt (solo vihuela) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Domine Missa Quam pulchri sunt (solo vihuela) by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Domine Missa Quam pulchri sunt (solo vihuela) being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Chi la Gagliarda | Donato Baldissera, Amarcord | E Minor | 0 | 9A | 81 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Otche Nach | Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard | C Major | 1 | 8B | 75 BPM | ||
Missa Laetatus sum a 12: Sanctus | Tomás Luis de Victoria, Saint Clement's Choir, Philadelphia, Peter Richard Conte | A Major | 2 | 11B | 67 BPM | ||
Sacrae cantiones: Justorum animae | Orlande de Lassus, Voices of Ascension Chorus, Dennis Keene | E♭ Major | 1 | 5B | 93 BPM | ||
Confitebor (2) | Tomás Luis de Victoria, La Colombina | C Major | 1 | 8B | 133 BPM | ||
Missa Quarti Toni Sanctus | Tomás Luis de Victoria, Classic Hertz | A Minor | 2 | 8A | 180 BPM |
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