Anton Bruckner, Christian Thielemann, Wiener Philharmoniker made "Quadrille, WAB 121 (Arr. for Orchestra by Wolfgang Dörner)" available on January 12, 2024. With this song being about 5 minutes long, at 5:26, "Quadrille, WAB 121 (Arr. for Orchestra by Wolfgang Dörner)" by Anton Bruckner, Christian Thielemann, Wiener Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Neujahrskonzert 2024 / New Year's Concert 2024 / Concert du Nouvel An 2024". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Quadrille, WAB 121 (Arr. for Orchestra by Wolfgang Dörner) is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Quadrille, WAB 121 (Arr. for Orchestra by Wolfgang Dörner) by Anton Bruckner, Christian Thielemann, Wiener Philharmoniker having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ohne Aufenthalt, Polka Schnell, Op.112 | Eduard Strauss, Wiener Philharmoniker, Franz Welser-Möst | A Major | 5 | 11B | 105 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Royal Scottish National Orchestra, Sergey Neller | D♭ Minor | 1 | 12A | 75 BPM | ||
Pinocchio: VI. Cinque monete d'oro | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | D Minor | 2 | 7A | 85 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
Pavane, Op. 50 (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Gabriel Fauré, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 81 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Intermezzo, Op.72, TrV 246: Symphonic Interlude: Träumerei am Kamin | Richard Strauss, Wiener Philharmoniker, André Previn | A♭ Major | 2 | 4B | 84 BPM |
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