Wolfgang Amadeus Mozart, Natalie Dessay, Les Talens Lyriques, Christophe Rousset's 'Mitridate, re di Ponto, K.87 / Act 2: "Nel grave tormento"' came out on January 1, 1999. With this song being about 5 minutes long, at 4:43, "Mitridate, re di Ponto, K.87 / Act 2: "Nel grave tormento"" by Wolfgang Amadeus Mozart, Natalie Dessay, Les Talens Lyriques, Christophe Rousset is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Natalie Dessay, Cecilia Bartoli, Brian Asawa, Giuseppe Sabbatini, Les Talens Lyriques, Christophe Rousset's "Mozart: Mitridate, Re di Ponte" album is number 13 out of 68. On top of that, United Kingdom appears to be the country where this track was created. Mitridate, re di Ponto, K.87 / Act 2: "Nel grave tormento" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mitridate, re di Ponto, K.87 / Act 2: "Nel grave tormento" by Wolfgang Amadeus Mozart, Natalie Dessay, Les Talens Lyriques, Christophe Rousset to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 4 in D Major, K. 218: 1. Allegro | Wolfgang Amadeus Mozart, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | D Major | 2 | 10B | 121 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Adagio In E Major KV 261 | Eduardo Marturet, Concertgebouw Chamber Orchestra, Emmy Verhey, Wolfgang Amadeus Mozart, C. Jared Sacks, Channel Classics | E Major | 1 | 12B | 104 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM |
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