"Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso" by Johann Sebastian Bach, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Berliner Philharmoniker, Herbert von Karajan was released on January 8, 2022. Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 85 in the song's album "Start 2022 with Bach". In this album, this song's track order is #61. Based on our statistics, Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso by Johann Sebastian Bach, Karlheinz Zoeller, Michel Schwalbé, Edith Picht-Axenfeld, Berliner Philharmoniker, Herbert von Karajan having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Concerto For 2 Harpsichords, Strings, And Continuo In C Minor, BWV 1060 - Arr. For Violin, Oboe, Strings & Continuo: 1. Allegro | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 4 | 5A | 102 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 68 "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 78 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM |
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