"Symphony No. 4 "Window to the Past": IV. Fireworks: based on "American Fanfare"" by Lukas Foss, Boston Modern Orchestra Project, Gil Rose was released on August 4, 2015. Since Symphony No. 4 "Window to the Past": IV. Fireworks: based on "American Fanfare" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lukas Foss, Boston Modern Orchestra Project, Gil Rose's "Lukas Foss: Complete Symphonies" album is number 8 out of 16. Symphony No. 4 "Window to the Past": IV. Fireworks: based on "American Fanfare" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 "Window to the Past": IV. Fireworks: based on "American Fanfare" by Lukas Foss, Boston Modern Orchestra Project, Gil Rose to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les noces, Pt. I Scene 1: The Bride's Chamber (1923 Version) | Igor Stravinsky, Mildred Allen, Regina Sarfaty, Loren Driscoll, Robert Oliver, Samuel Barber, Aaron Copland, Lukas Foss, Roger Session, The American Concert Choir, Columbia Percussion Ensemble | D Major | 2 | 10B | 107 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
Suite In Old Style: II. The Rose Garden, By Moonlight | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | D Minor | 2 | 7A | 79 BPM | ||
Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Han-Na Chang, London Symphony Orchestra, Mstislav Rostropovich | A♭ Major | 0 | 4B | 173 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Summa: Summa (Version for string orchestra) | Arvo Pärt, Tapiola Sinfonietta, Jean-Jacques Kantorow | G Minor | 0 | 6A | 100 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |
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