"Responsorium: Domun Tuam, Modo VI" by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo was released on December 31, 1995. With Responsorium: Domun Tuam, Modo VI being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 25 in Cantate Domino, Alleluya by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Responsorium: Domun Tuam, Modo VI is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Responsorium: Domun Tuam, Modo VI by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recordare | Cantos Gregorianos, Alessio Randon | D Major | 2 | 10B | 108 BPM | ||
In Youth What Wondrous Blessedness and Beauty SHZ 475 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Liisa Keranen | D♭ Major | 2 | 3B | 88 BPM | ||
Ad Matutinum: Antiphona. Te invocamus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Gloria Alabanza | Padre Bernardo Velásquez | D Minor | 1 | 7A | 72 BPM | ||
Prochimen Cine Este Dumnezeu / Great Prokeimenon Who Is so Great as Our God | Byzantion | D♭ Minor | 2 | 12A | 127 BPM | ||
Repleatur os Meam | Unknown, Polish Chamber Choir Schola Cantorum Gedanensis | D Minor | 1 | 7A | 72 BPM | ||
Agnus Dei | Pope Gregorius, Ensemble de Venasque | B♭ Major | 1 | 6B | 108 BPM | ||
Paradisi Portae | Pope Gregorius, Ensemble de Venasque | E♭ Minor | 0 | 2A | 75 BPM | ||
O Holy God: The Trisagion | Kiev Chamber Choir | B♭ Major | 0 | 6B | 126 BPM | ||
15 Improvisations on Kyrie Squares: Kyrie Square No. 2 | Dom Burnham, Ed Goble, Richard Ogden, Andrew Johnson, Jonathan Howard, Jonathan Darbourne, Oxford Clerks, Basile, Le | E Major | 1 | 12B | 35 BPM |
Section: 0.794680118560791
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