"Ad Matutinum: Antiphona. Te invocamus" by Etienne de Liège, Psallentes, Hendrik Vanden Abeele was released on 2006. With Ad Matutinum: Antiphona. Te invocamus being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 20 in De Liège: In festo sanctissimae trinitatis by Etienne de Liège, Psallentes, Hendrik Vanden Abeele. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Ad Matutinum: Antiphona. Te invocamus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ad Matutinum: Antiphona. Te invocamus by Etienne de Liège, Psallentes, Hendrik Vanden Abeele is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flosculum amenitatis (Codex Specialnik) | Early Music New York | G Minor | 1 | 6A | 75 BPM | ||
Sheppard: Gaude, gaude, gaude Maria - 05. Gabrielem archangelum | John Sheppard, The Tallis Scholars, Peter Phillips | A Minor | 0 | 8A | 76 BPM | ||
Oratio: Deus, qui beatam Hildegardem Virginem tuam | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori | D Major | 0 | 10B | 81 BPM | ||
O spem miram | Dominican House of Studies | A♭ Minor | 1 | 1A | 138 BPM | ||
Axion Estin - Byzantine Chant, XV C. | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 2 | 12B | 94 BPM | ||
Del Común de un Confesor No Pontífice, Antífona: Domine Iste Sanctus | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 79 BPM | ||
Ángelis suis (1) | Gloriae Dei Cantores, Richard Cragg, Elizabeth C. Patterson | D Major | 2 | 10B | 101 BPM | ||
El Alma Arrepentida | Monjes Del Monasterio De San Pedro | A♭ Major | 2 | 4B | 81 BPM | ||
Cunctipotens Genitor Deus | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
in I. nocturno: Lectio II - Lamed - Voice | Carlo Gesualdo, Andrew Parrott, Taverner Consort & Choir | G Major | 1 | 9B | 75 BPM |
Section: 0.4895031452178955
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