"Oratio: Deus, qui beatam Hildegardem Virginem tuam" by Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori had its release date on 2011. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Von Bingen: O Orzchis Ecclesia by Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori. The song's track number on the album is #12 out of 12 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Oratio: Deus, qui beatam Hildegardem Virginem tuam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oratio: Deus, qui beatam Hildegardem Virginem tuam by Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Oratio: Deus, qui beatam Hildegardem Virginem tuam being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From My Youth | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | G Minor | 1 | 6A | 90 BPM | ||
Ecce Nomen Domini | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A Major | 0 | 11B | 127 BPM | ||
Tempo Della Glora E Della Vita. Canto Al Vangelo: Oportebat | Canonici Regolari Si Sant'Antimo | F Major | 1 | 7B | 131 BPM | ||
Benedictio I, Lectio I: De Libro divinorum operum | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori, Cristina Ramazzini | B Major | 5 | 1B | 114 BPM | ||
Hymnus: Veni, Creator Spiritus | Marek Klein | F Minor | 1 | 4A | 128 BPM | ||
Liturgy for the Solemnity of Saint Benedict: Mass. Offertory. Iustus ut palma | Public Domain, Monastic Choir of the Solemnity of Saint Benedict, Stefano Concordia | E Minor | 0 | 9A | 65 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Requiem aeternam | Dominican House of Studies | F♯ Major | 1 | 2B | 141 BPM | ||
Benedictio III, Lectio III: De Libro divinorum operum | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori, Cristina Ramazzini | D Major | 0 | 10B | 81 BPM | ||
Praises: Nativity of the Theotokos, Sticheron 1 (Model Melody) | Archangel Voices | E Minor | 1 | 9A | 132 BPM |