"Liturgy for the Solemnity of Saint Benedict: Mass. Offertory. Iustus ut palma" by Public Domain, Monastic Choir of the Solemnity of Saint Benedict, Stefano Concordia was released on January 1, 1999. With Liturgy for the Solemnity of Saint Benedict: Mass. Offertory. Iustus ut palma being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vir Dei Benedictus by Public Domain, Monastic Choir of the Solemnity of Saint Benedict, Stefano Concordia. The song's track number on the album is #9 out of 23 tracks. Liturgy for the Solemnity of Saint Benedict: Mass. Offertory. Iustus ut palma is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Liturgy for the Solemnity of Saint Benedict: Mass. Offertory. Iustus ut palma by Public Domain, Monastic Choir of the Solemnity of Saint Benedict, Stefano Concordia has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Liturgy for the Solemnity of Saint Benedict: Mass. Offertory. Iustus ut palma being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venite Filii | Monks And Choir Boys Of Downside Abbey | G Minor | 1 | 6A | 100 BPM | ||
Christe Redemptor | Pope Gregorius, Ensemble de Venasque | E♭ Minor | 0 | 2A | 75 BPM | ||
In omnem terram (Chant) | Dominican House of Studies | F♯ Major | 2 | 2B | 127 BPM | ||
Antiphons from the Advent Liturgy | Lucien Deiss, CSSp | A♭ Major | 1 | 4B | 128 BPM | ||
La bruja | Dominio Público, Cuarteto de Guitarras de la Ciudad de México | A Minor | 3 | 8A | 144 BPM | ||
Tenebrae factae sunt | Pro Cantione Antiqua | F♯ Minor | 1 | 11A | 78 BPM | ||
Stihira La Laudele Invierii / Sticheron for the Doxologies of the Ressurection | Byzantion | D♭ Major | 1 | 3B | 81 BPM | ||
Trio Sonata No. 5 in D Major - unreleased live recording | Public Domain, Hesperus Early Music Ensemble, Grant Herried, Scott Reiss, Mark Cudek, Peter Marshall | D♭ Major | 1 | 3B | 89 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
O quam gloriosum | Dominican House of Studies | A Major | 1 | 11B | 133 BPM |
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