"6 Chorales: No. 2. Es ist vollbracht" by Heinrich Kaminski, Munich Orpheus Choir, Gerd Guglhör was released on January 1, 2000. With 6 Chorales: No. 2. Es ist vollbracht being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Heinrich Kaminski, Gerd Guglhör's "Kaminski, H.: Choral Music" album is number 13 out of 25. 6 Chorales: No. 2. Es ist vollbracht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Chorales: No. 2. Es ist vollbracht by Heinrich Kaminski, Munich Orpheus Choir, Gerd Guglhör to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rise Up My Love | Healey Willan, Choir of Jesus College, Cambridge, Mark Williams | D♭ Major | 1 | 3B | 124 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Bless the Lord, My Soul | Cyrillus Kreek, Vox Clamantis, Jaan-Eik Tulve | G Major | 0 | 9B | 83 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 54. Choral "O Haupt voll Blut und Wunden" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | B Major | 2 | 1B | 115 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Verleih' uns Frieden, MWV A11 | Felix Mendelssohn, Bavarian Radio Chorus, Munich Radio Orchestra, Howard Arman | E♭ Major | 1 | 5B | 77 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM |
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