Henry Purcell, Emmanuelle Haïm, Camilla Tilling, Ian Bostridge, Le Concert d'Astrée made "Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "If Not for Mine, for Empire's Sake" (Aeneas, Belinda)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "If Not for Mine, for Empire's Sake" (Aeneas, Belinda) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #11. Based on our statistics, Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "If Not for Mine, for Empire's Sake" (Aeneas, Belinda)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "If Not for Mine, for Empire's Sake" (Aeneas, Belinda) by Henry Purcell, Emmanuelle Haïm, Camilla Tilling, Ian Bostridge, Le Concert d'Astrée having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 2 "Come, shepherds, lead up a lively measure" [Chorus] Hornpipe | William Christie | F Major | 2 | 7B | 85 BPM | ||
The Folly of Desire: Ganymede II | Brad Mehldau, Ian Bostridge | B♭ Major | 1 | 6B | 133 BPM | ||
Handel: Trio Sonata in B Minor, Op. 2/1, HWV 386b: I. Andante | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | B♭ Minor | 0 | 3A | 97 BPM | ||
Stabat Mater: Virgo virginum praeclara | Agostino Steffani, Daniel Behle, Julian Prégardian, Salvo Vitale, I Barocchisti, Diego Fasolis | C Minor | 2 | 5A | 96 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus) | Henry Purcell, Emmanuelle Haïm | B Major | 2 | 1B | 142 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Act 4: Ritornello - "Qual honor di te fia degno" (Orfeo) | Claudio Monteverdi, Emmanuelle Haïm | A♭ Major | 1 | 4B | 130 BPM | ||
Lully: Thésée, LWV 51, Act 1: Marche royale | Jean-Baptiste Lully, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 2 | 1B | 153 BPM | ||
Dido and Aeneas / Act 3: "See the flags and streamers curling" | Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 105 BPM | ||
Conti: Don Chisciotte in Sierra Morena: Aria, "Qui sto appeso eil ciel sa quando" (Don Chisciotte) | Francesco Bartolomeo Conti, Ian Bostridge, Bernard Labadie, The English Concert | B♭ Minor | 2 | 3A | 128 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM |
Section: 0.592005729675293
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