"Norma, Act I: Introduzione e Cavatina (Arr. for Organ)" by Vincenzo Bellini, Roberto Cognazzo was released on January 1, 2010. With this song being about 5 minutes long, at 5:16, "Norma, Act I: Introduzione e Cavatina (Arr. for Organ)" by Vincenzo Bellini, Roberto Cognazzo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Roberto Cognazzo, Olivier Vernet, Silvano Rodi, Michel Colin's "La route des orgues,Vol. 11 : L'orgue Valoncini" album is number 11 out of 35. In terms of popularity, Norma, Act I: Introduzione e Cavatina (Arr. for Organ) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Norma, Act I: Introduzione e Cavatina (Arr. for Organ) by Vincenzo Bellini, Roberto Cognazzo to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Carmen, Act I, No.2 : Scène et Choeur: Regardez donc cette petite qui semble vouloir nous parler (Moralès/Micaëla/Dragons) | Georges Bizet, Ludovic Tézier/Inva Mula/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 89 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: Introduzione - "Ite sul colle, o Druidi" | Vincenzo Bellini, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B Minor | 2 | 10A | 114 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Giulio Cesare in Egitto : Piangerò la sorte mia | George Frideric Handel, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | E♭ Major | 1 | 5B | 135 BPM | ||
Les pêcheurs de perles / Act 2: Au fond du temple saint | Georges Bizet, Ramón Vargas, Ludovic Tezier, SWR Symphony Orchestra, Marco Armiliato | E♭ Major | 4 | 5B | 169 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM |
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