Antonio Vivaldi, Miho Fukui, Ensemble F's ' "Bassoon Concerto in G Major, RV 494: III. —" was released on its scheduled release date, June 21, 2024. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: Concerti per fagotto, Vol. 3 by Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F. The song's track number on the album is #12 out of 19 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Bassoon Concerto in G Major, RV 494: III. —'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Bassoon Concerto in G Major, RV 494: III. — by Antonio Vivaldi, Miho Fukui, Ensemble F has a tempo of 157 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Bassoon Concerto in G Major, RV 494: III. — being at 157 BPM, the half-time would be 78 BPM with a double-time of 314 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto in B flat major, Op.1, No.1: 3. Un poco presto | Prince Johann Ernst, Stanley Ritchie, The Bach-Ensemble, Joshua Rifkin | E Major | 2 | 12B | 95 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Sonata in D Major for cello and basso: I. Andante | Franz Benda, Octavie Dostaler-Lalonde, Artem Belogurov, Victor Garcia Garcia | D♭ Major | 0 | 3B | 96 BPM | ||
Oboe Concerto in C Major, Op. 7 No. 12: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | C Major | 3 | 8B | 114 BPM | ||
Recorder Concerto No. 9 in A Minor: III. Fuga | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 117 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: III. Presto - | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | A♭ Major | 3 | 4B | 89 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Concerto No. 1 In D Major RV 549: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 121 BPM | ||
Vivaldi: Giustino, RV 717: Sinfonia, 1. Allegro | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | F♯ Major | 1 | 2B | 139 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |