"Albinoni: Concerto a cinque in A Major, Op. 10 No. 5: II. Andante" by Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti was released on 1970. The duration of Albinoni: Concerto a cinque in A Major, Op. 10 No. 5: II. Andante is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Albinoni: Concerto a cinque in A Major, Op. 10 No. 5: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Albinoni: Concerto a cinque in A Major, Op. 10 No. 5: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Concerto a cinque in A Major, Op. 10 No. 5: II. Andante by Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in G Major, Op. 9, No. 6: II. Adagio non troppo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Minor | 2 | 9A | 83 BPM | ||
Albinoni: Concerto a cinque in C Major, Op. 10 No. 9: II. Larghetto | Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti | A Minor | 2 | 8A | 95 BPM | ||
Sammartini : Sonata III for 2 Cellos in A minor : III Minuet - Allegro | Giovanni Battista Sammartini, Anner Bylsma | B Major | 1 | 1B | 93 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Sinfonia No. 10 in C Major: III. Non tanto largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 1 | 9A | 114 BPM | ||
Concerto for two oboes in F Major, Op. 9 No. 3: II. Adagio | Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham | D♭ Major | 2 | 3B | 124 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
Boccherini: Cello Sonata No. 6 in C Major, G. 6: I. Allegro | Luigi Boccherini, Steven Isserlis, Maggie Cole | B Minor | 0 | 10A | 74 BPM |
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